Not content with presenting diamond pieces on unimaginative flat trays, which was the norm then, Chanel presented her elaborate creations on lifelike human busts that she personally dressed. Referencing Chanels rising star sign, Leguereau energised the suns palpable power through audaciously graphic lines. Intrigued by her wit and talent, the company invited Chanel to design a diamond collection in the hopes of revitalising the then-ailing diamond economy much to the chagrin of the men who dominated and tightly guarded the business. Gabrielle Chanel is, undoubtedly, in a league of her own. Magnifying her love of heavenly symbols, a waning crescent is added as the solar balance to the perennially loved star motif as seen in the Lune Eternelle set made up of a delicate necklace that lines a crescent moon alongside a star, and a crescent brooch that features a flying rocket. That 13-day jewellery showcase in Paris would revolutionise the way the world saw jewellery forever. It is unclear exactly how many pieces were sold at that jewellery showcase. Save chanel button necklace to get e-mail alerts and updates on your eBay Feed.
We know it's a hassle to switch browsers but we want your experience with CNA to be fast, secure and the best it can possibly be. With these never-before-seen elements of the sun and moon, Leguereau brought newness to the table. Its impressive carat size commemorates the fact that the number 5 was Chanels favourite number. Everything you should know about the most famous handbag in the world, On the collection, Patrice Leguereau, director of Chanel Jewelry Creation Studio shared: The first jewellery box (that the comet brooch came in) created in 1932 was made in a very dark blue velvet. Gathering the star, the moon and the sun, these celestial symbols align intergalactically to tell a compelling tale that will live on for light years, just as Chanels legacy has. Her indelible. We can wear it in 20 different versions, explained Leguereau. This transformable piece, pegged at S$6,639,900, features a 22.10 carat cushion-cut yellow diamond brooch that can either be worn on the necklace, on the ring or on its own as a brooch.
But Chanel was never one to shy away from controversies and detractors. Whereas the big and warm sun shows power. Contact us, Gabrielle Chanel is, undoubtedly, in a league of her own. 
body of work continues to inspire and has been tirelessly reimagined by designers who came after. The weight of the oval diamond is 19.32 carat like the year 1932 when Gabrielle Chanel created the first jewellery collection, the collection that we celebrate the 90th anniversary this year, shared Leguereau. See each listing for international shipping options and costs. Sales were reportedly so brisk that the share prices of London Diamond Corporation skyrocketed.
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The collection, made up of 50 pieces of diamond and platinum creations, took inspiration from everything that mattered the most to her, particularly the starry night skies over of Paris. An audacious wine that's a world's first, Fireworks, fly-pasts, family fun: 5 options for a National Day 2022 staycation, 5 of the finest private island escapes in Asia for total seclusion in pure luxury. View cart for details. Tasking a woman and one who seemingly had no background in the art of jewellery-making to create an entire collection of diamond jewellery had offended many of them. Mediacorp Pte Ltd. All rights reserved. They are created with the same spirit to nourish the collection.. The 90th anniversary collection is inspired by the sky and the stars. The most eye-catching of the 24 sun-related pieces is unquestionably the three-tier Soleil 19 Aout necklace. Blue is the main colour of the collection, that is why I used many blue sapphires, blue diamonds, blue tanzanite and blue opal..
This transformability offers women the freedom to choose the style of jewellery she wants to wear at any time of the day.. This grand celebratory gesture is definitely one for the books.
77 sublime creations, it is impossible to miss the Allure Celeste necklace which features a 55.55 carat blue sapphire centerstone. Before Chanel, the diamond cohort was made up almost solely of male traditional jewellers who would only create a handful of jewellery pieces at one go for intended customers. Commanding a cool S$15,156,400, the necklace is the most expensive jewellery piece ever designed at the house of Chanel. The elaborate necklace can be worn as is or broken down into simpler pieces: The halos can detach to become brooches, the central row of diamonds can be fashioned into a bracelet or transformed into a short version, depending on the wearers imagination. They needed someone who could bring a fresh new perspective to diamonds before the stones lost their sparkle altogether. As with everything at the house of Chanel, the new motifs have dotted line links to Chanel. As one of fashions most celebrated designers, the woman behind the instantly recognisable double C logo was famed forfreeing women from the shackles of the bone-crushing corset, introducing the iconic Little Black Dress, and fusing boy's club sensibilities with womenswear.
Transformability is something that is very important for me and it is a very signature touch of Chanel high jewellery. For me, the dark blue velvet is directly linked to this collection. Even though the diamonds were only on loan to Chanel, she was instructed to dismantle unsold pieces and return the precious stones to the company. The sun series, on the other hand, charts a totally different course.
Even though the diamonds were only on loan to Chanel, she was instructed to dismantle unsold pieces and return the precious stones to the company. Tasking a woman and one who seemingly had no background in the art of jewellery-making to create an entire collection of diamond jewellery had offended many of them.
As Chanel hated anything that restricted movement, she banished traditional clasps that impeded the freedom of movement and instead, kitted the pieces with unprecedented suppleness and transformability, putting the power into the hands of the wearer to use the jewellery as they saw fit, positioning them as finishing touches freely on the body.
A S$15 million necklace headlines Chanels new 1932 Collection, which commemorates the 90th anniversary of the worlds first high jewellery collection. Another commemorative highlight is the Comete Volute. That same comet brooch has become a cornerstone for Chanel and now plays a pivotal role in the French houses new-to-market high jewellery collection, the 1932 Collection that commemorates and pays tribute to the 90th anniversary of the Bijoux de Diamants collection created decades ago. For more recent exchange rates, please use the. The central diamond is very special, with a very special lucky number.
It's one of the highlights from Chanel's newly launched 1932 collection.
Of the new collections 77 sublime creations, it is impossible to miss the Allure Celeste necklace which features a 55.55 carat blue sapphire centerstone. The Allure Celeste necklace features a 55.55 carat blue sapphire and costs S$15,156,400. This grand celebratory gesture is definitely one for the books.
What is certain though is that only one piece from the Bijoux de Diamants collection remains in the patrimony of Chanel. The panic-stricken London Diamond Corporation they were the diamond supplier for Europe desperately needed to pull a proverbial rabbit out of their cobwebbed hat. ", With these never-before-seen elements of the sun and moon, Leguereau brought newness to the table. Commanding a cool price tag of over S$15 million, the Allure Celeste necklace features a 55.55 carat blue sapphire and can be worn in 20 different ways. As one of fashions most celebrated designers, the woman behind the instantly recognisable double C logo was famed for, freeing women from the shackles of the bone-crushing corset, introducing the iconic Little Black Dress, and fusing boy's club sensibilities with womenswear.
Chanel created Bijoux De Diamants, the worlds first high jewellery collection in 1932. of male traditional jewellers who would only create a handful of jewellery pieces at one go for intended customers.
I developed the moon because it is very soft and feminine, it brings a touch of femininity that I really, really like. It was conceived was a charity event, with tickets sold for 20 francs and the takings donated in aid of two charities. Number of bids and bid amounts may be slightly out of date. - Fashion Tassel Pendant Necklace Women Snaps Jewelry Fit 18mm Snap Button DZ1728.
Meet Teslas rival from Sweden: Is the Polestar 2 a worthy EV alternative? "I wanted to return to the essence of 1932 and to harmonise the message around three symbols: The comet, the moon, and thesun. I developed the moon because it is very soft and feminine, it brings a touch of femininity that I really, really like. The elaborate necklace can be worn as is or broken down into simpler pieces: The halos can detach to become brooches, the central row of diamonds can be fashioned into a bracelet or transformed into a short version. Single-handedly, she created Bijoux De Diamants, the worlds first high jewellery collection in 1932. Its impressive carat size commemorates the fact that the number 5 was Chanels favourite number. In fact, the opposing voices only spurned her on. However, her contributions to the world of high jewellery is comparatively not as widely discussed. Commanding a cool S$15,156,400, the necklace is the most expensive jewellery piece ever designed at the house of Chanel. Her indeliblebody of work continues to inspire and has been tirelessly reimagined by designers who came after. dispensing styling advice as the busts helped women imagine how the pieces would look on them: A supple pave feather brooch reminiscent of the lightness of an ostrich feather draped along the curve of the shoulder, a diamond-encrusted necklace ingeniously transformed into three bracelets and two brooches, and a comet brooch festooned at the waist to draw attention to its slenderness. The story of how Gabrielle Chanel turned the world of jewellery upside down with a few borrowed diamonds, An exclusive look at Chanels 1932 high jewellery collection in Paris | CNA Luxury, From Louis Poulsen lamps and B&B Italia sofas to becoming the LVMH of design, Karva's celebrity power couple Jai Wahab and Rozza Ramli: Serial entrepreneurs, business partners, dream chasers, The architect behind Londons first sustainable skyscraper on Singapores bold vision for the future, How Dom Perignons former chief winemaker got hooked on Japanese sake and decided to brew his own instead, The Hong Kong architect who helped shape the look of Singapores hospitality scene for the past 12 years, CNA Luxurys Remarkable Living series takes gold at prestigious World Media Festivals 2022, The multigenerational home of a Singapore doctor and his seven-member family, This Singapore home of an architect is full of hidden surprises, The Thai chef who hails from four generations of TCM practitioners.
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For me, this is the origin, the very beginning, the direction, the spirit and the vision that Gabrielle Chanel wanted to create at that time, he said. It was likedispensing styling advice as the busts helped women imagine how the pieces would look on them: A supple pave feather brooch reminiscent of the lightness of an ostrich feather draped along the curve of the shoulder, a diamond-encrusted necklace ingeniously transformed into three bracelets and two brooches, and a comet brooch festooned at the waist to draw attention to its slenderness. Whereas the big and warm sun shows power. Not content with presenting diamond pieces on unimaginative flat trays, which was the norm then, Chanel presented her elaborate creations on lifelike human busts that she personally dressed. Copyright Mediacorp 2022.
This page was last updated: 29-Jul 20:01. Copyright 1995-2022 eBay Inc. All Rights Reserved. Every heavenly body shines with its own light. They are created with the same spirit to nourish the collection., Not your usual European adventure: Paragliding in Slovenias Vipava valley on a hike-fly-wine tour, What happens when you blend grapes from Australia and France? Upgraded but still having issues?
During the midst of the Great Depression, when diamonds were the furthest thing from people's minds and spare cash was as rare a commodity as unicorns, the late couturier came into the scene like a saviour shrouded in white light.
At that time, Chanel had been designing shiny and opulent costume jewellery, which the high society set were choosing over real gemstones. The Allure Celeste necklace is very transformable and detachable. Looking beyond the twinkle of stars, Leguereau sought inspiration fromother heavenly bodies. The platinum comet brooch with 7.8 carats of diamonds surfaced at an auction in Switzerland some 22 years ago and has since been one of the most prized possessions in the collection. The S$15,156,400 Allure Celeste necklace headlines the newly launched 1932 Collection, a 77-piece edit that commemorates the 90th anniversary of the worlds first high jewellery collection. (Photos: Chanel). The homage may have started with stars and comets favoured by Chanel, but it is by no means the be all and end all of Leguereaus repertoire. Amounts shown in italicized text are for items listed in currency other than Canadian dollars and are approximate conversions to Canadian dollars based upon Bloomberg's conversion rates.
CNA Luxury was in Paris for the launch and discovers a fascinating story of comets, stars and grumpy old men.
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